snare rolls writes 4, 8 or 16 bar snare rolls at your project tempo, with the filter sweep, reverb swell and pitch rise already done, then hands them to your daw as audio or midi.
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get a launch notice → see snare rolls →we make plugins around simple ideas. each one takes a single job that comes up in almost every session and gets it done in seconds, so you can get back to the part of the track you actually care about.
you know the moment. you can hear exactly what the track needs, and then you spend the next twenty minutes building it by hand. drawing notes one at a time, clicking in automation point by point, nudging the same settings you nudged last week. by the time it works, the idea that got you excited has gone cold. it could have been done before you finished the thought.
that's the kind of time we want to give back. we look for the things producers dial in manually over and over, and we turn each one into a few knobs that get you there right away. you set it, you hear it, you drag it into your track and keep moving.
our plugins are straightforward on purpose. no menus inside menus, no settings you'll never touch, no pages of features that only look good in a screenshot. every control on the panel has to earn its spot. if it doesn't help you finish music faster, we leave it out.
simple doesn't have to mean boring, though. you still get chunky knobs, a screen that shows exactly what's happening, and sounds that are ready for a mix. every plugin we make is built this way.
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it writes the snare roll before your drop. pick a snare, choose the length, and it climbs in speed, pitch and intensity right up to the one.
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from a classic 808 to breathy and destroyed. drop in a wav, aiff or flac to use your own.
4, 8 or 16 bars, locked to your project tempo.
1/4 to 1/32 notes, plus auto, which steps up one speed halfway through.
a fixed pitch, or a rise that climbs all the way to the drop.
hp filter, tension and lp open, built into the roll as it rises.
drag a 24-bit wav of exactly what you hear, or midi with automation lanes.
scroll through every part of snare rolls. each screen shows what that part does to the roll.
every snare is picked for rolls, from a classic 808 to breathy, mellow and destroyed. step through with the arrows and each one plays as you land on it. drop a wav, aiff or flac onto the plugin to roll your own sound.
pick how long the build-up is. the roll always ends right on the drop and stays locked to your project tempo.
set how fast the hits come. switch on auto and the roll steps up to the next speed halfway through, the classic build.
keep the snare at one pitch anywhere from -12 to +12 semitones, or turn on rise and it climbs up to +12 as the roll builds.
velocity sets how hard the hits land. crescendo starts the roll quiet and lets it grow, so it swells into the drop.
human makes random hits a bit quieter, the way a drummer's hands do. press reroll to deal a new variation of the same settings.
swing nudges every second hit late, up to half a step, for a shuffled roll that sits in the groove.
the high-pass waits until 60% of the roll, then sweeps the low end out and peaks exactly on the drop. amount sets how far it goes, rate shapes the sweep.
one knob builds a big reverb, dotted-eighth echoes and a little grit as the roll rises, so the last bar sounds huge.
the roll starts behind a low-pass filter and opens up as it builds. start sets the first cutoff, rate sets how fast it opens.
drag the roll out as a 24-bit wav of exactly what you hear, or as midi with automation lanes for the filters, tension and pitch, ready for any sampler.
press play, or send it any midi note from your daw. it stays in time with your project and stops the moment your transport stops.
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stereo output level in green lcd game boy segments, with peak hold and a clip light.
13 built-in snares, from a classic 808 to breathy and destroyed. pick one from the snare browser or step through with the arrows; each plays as you land on it. drop a wav, aiff or flac anywhere to load your own.
how long the build is: 4, 8 or 16 bars, locked to your project tempo.
every hit as a bar, with the rising effect lines drawn over it. it cheers when a roll reaches the top.
plays the roll. any midi note plays it too, and it stops when your daw's transport stops.
drag the roll out as a 24-bit wav of exactly what you hear, or as midi with automation lanes for any sampler.
speed from 1/4 to 1/32 notes (an optional auto mode steps it up halfway), pitch that stays put or rises up to 12 semitones, velocity with crescendo, and human, which makes random hits quieter so it sounds played. reroll deals a new variation.
holds back until the end of the build, then sweeps the low end out and hits its peak right on the drop. amount sets how far, rate shapes the sweep.
swells a big reverb, dotted-eighth echoes and a little grit as the roll rises.
starts the roll muffled and opens it up. start sets the first cutoff, rate how fast it opens.
pushes every second hit late, up to half a step, for a shuffled roll.
you know the moment. the drop is four bars away and you're drawing a snare roll in by hand. note by note, velocity by velocity. then you automate a filter, then a reverb send, then you nudge the pitch so it climbs. twenty minutes later the roll works, but the idea that got you excited has gone cold.
snare rolls does that whole build in one go. pick a snare and a length, set how hard it climbs, and the roll is ready, with the filters, the reverb swell and the pitch rise already in it. drag it into your track and you're back to the drop.
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vst3 · au · standalone · mac and windows.
snare rolls writes 4, 8 or 16 bar snare rolls at your project tempo, with the filter sweep, reverb swell and pitch rise already done, then hands them to your daw as audio or midi.
This policy explains what information Rolling Plugins ("we", "us") collects through this website and our plugins, why we collect it, and the choices you have. We keep it short because we collect very little.
We only collect what you choose to send us:
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Snare Rolls and our other plugins do not collect personal data, track how you use them, or send your projects, audio or settings anywhere. Everything stays on your computer.
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If we change how we handle information, we will update this page and the date at the top. If a change is significant, we will say so on this website.
This agreement is between you and Rolling Plugins ("we", "us"). It covers the Snare Rolls software, including its VST3, AU and standalone versions, its built-in sounds, any updates we provide, and its documentation (together, "the Software"). By installing or using the Software you agree to these terms. If you do not agree, do not install or use it.
When you buy or are given a license, we grant you a personal, non-exclusive, non-transferable license to install and use the Software on up to two computers that you own or control, to create, record, perform and produce audio. The Software is licensed to you, not sold.
Audio and MIDI you make with the Software, including rolls rendered with the built-in snares and files you drag into your DAW, are yours to use, release and sell as part of your own music and media. This is royalty-free and needs no credit.
You may not:
You can load your own audio files into the Software. You are responsible for having the rights to anything you load and anything you release with it.
We and our licensors own the Software, its code, sounds and design, and the Rolling Plugins and Snare Rolls names and logos. Everything not expressly granted to you in this agreement stays with us.
We may release updates and fixes. They are covered by this agreement unless they come with new terms. We are not required to provide updates or support, but we aim to keep the Software working with current versions of macOS, Windows and major DAWs.
The Software does not collect personal data or send your projects anywhere. If you sign up on our website for a launch notice, we use your email address only to tell you about Rolling Plugins releases, we do not sell or share it, and we will delete it if you ask.
You may transfer your license once to another person if you remove every copy from your computers, the new owner agrees to this agreement, and you tell us so we can move the license.
The Software is provided "as is". To the extent the law allows, we make no warranties of any kind, express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement. Keep backups of your projects.
To the extent the law allows, we are not liable for any indirect, incidental, special or consequential damages, or for lost data, profits or revenue, arising from your use of or inability to use the Software. Our total liability is limited to the amount you paid for your license. Nothing in this agreement limits liability that cannot be limited by law, or affects your statutory rights as a consumer.
This license ends automatically if you break these terms. When it ends you must stop using the Software and delete every copy. Sections 2, 5, 9, 10 and 12 continue to apply after it ends, and music you made while licensed stays yours.
This is the entire agreement between you and us about the Software. If any part cannot be enforced, the rest still applies. If we do not enforce a term right away, we have not given up the right to. This agreement is governed by the laws of the country where Rolling Plugins is established, unless the consumer protection laws of your country require otherwise. We may change these terms for future versions of the Software; the terms that came with your version apply to it.